Since the All the Things That Mean Nothing post, I witnessed some more toxification at the peripheries of the digital spaces I am bound to, further shaking everyone else's faith in the constancy of platforms. (For context, I'm talking about the schrodinger blockification of Kickstarter, the fence-dancing of Patreon, and the farcical PR meltdown of Gumroad) More and more I'm thinking, boy, how far into the nuclear fallout of Web 2.0 will I tolerate until I say, eff it and bunker underground?(more…)
I've been in this webcomics game for... close to 10 years now (if you don't count the 3 years of prep). The second I graduated from secondary school, I jumped right in to launching my first webcomic. Things and mindsets and empires have come and gone since then, including my idea of what success and validation means.(more…)
Here's an announcement: my portrait commissions are closed till 2022. While I'll continue to accept bookings via email, I won't be drawing portraits at all till the reopening next summer. If you'd like to know when that day arrives, please subscribe to my newsletter or follow my Instagram, Twitter or Tumblr.(more…)
It's more or a less year since
On the rare occasions I step out of my bubble (or, I don't even need to: sometimes the call is coming from inside the house), I time-travel to the era before the rise of Alan Moore, Neil Gaiman, Art Spiegelman, Marjane Satrapi, etc, and encounter publishing or academic or institutional or creative people who think comics are not a valid art form or even a medium. Despite the fact comics are flourishing in the US, already a core part of literature in Europe and Japan, accessible to a varied audience, and proving itself a strong representational medium for a variety of issues/topics/experiences. But I don't have to reiterate the statistics and official articles and journals to confirm this. It should be as mundanely acceptable a phenomenon as prose books and films in the global cultural consciousness, because it already is a part of said consciousness.(more…)
Reimena Yee is a graphic novelist, artist and flamingo enthusiast.
She writes and illustrates quite a few webcomics and graphic novels. When not making books, she lulls away her time with essays on craft, life and experiences in the publishing industry. Some of her thoughts of art and life are rather unstructured and will evolve over time as this blog matures, as they should be.
Currently committed to being Alexander the Great's death doula. Is a nerd for all things spooky and historical.
Melbourne / Kuala Lumpur