If you recall, I have spoken several times in this blog about my past life in academia, the quarter-life crisis that resulted from it (not the full story), and the occasional spasm of desiring institutional recognition.
I am willingly! voluntarily! going back through the gates of the ivory tower.(more…)
Since the All the Things That Mean Nothing post, I witnessed some more toxification at the peripheries of the digital spaces I am bound to, further shaking everyone else's faith in the constancy of platforms. (For context, I'm talking about the schrodinger blockification of Kickstarter, the fence-dancing of Patreon, and the farcical PR meltdown of Gumroad) More and more I'm thinking, boy, how far into the nuclear fallout of Web 2.0 will I tolerate until I say, eff it and bunker underground?(more…)
I've been in this webcomics game for... close to 10 years now (if you don't count the 3 years of prep). The second I graduated from secondary school, I jumped right in to launching my first webcomic. Things and mindsets and empires have come and gone since then, including my idea of what success and validation means.(more…)
Reimena Yee is a graphic novelist, artist and flamingo enthusiast.
She writes and illustrates quite a few webcomics and graphic novels. When not making books, she lulls away her time with essays on craft, life and experiences in the publishing industry. Some of her thoughts of art and life are rather unstructured and will evolve over time as this blog matures, as they should be.
Currently committed to being Alexander the Great's death doula. Is a nerd for all things spooky and historical.
Melbourne / Kuala Lumpur
PCAF, July 29 – 30
Papercuts Festival, September 17
Australian Cartoonists Association, October