I've been in this webcomics game for... close to 10 years now (if you don't count the 3 years of prep). The second I graduated from secondary school, I jumped right in to launching my first webcomic. Things and mindsets and empires have come and gone since then, including my idea of what success and validation means.(more…)
Here's an announcement: my portrait commissions are closed till 2022. While I'll continue to accept bookings via email, I won't be drawing portraits at all till the reopening next summer. If you'd like to know when that day arrives, please subscribe to my newsletter or follow my Instagram, Twitter or Tumblr.(more…)
Thoughts on the above. The sequel to Apropros of Nothing.(more…)
On death and workaholicism and how being an artist of intention requires time not creating.(more…)
Just a fun post to answer this parlour room question.(more…)
It's more or a less year since
On the rare occasions I step out of my bubble (or, I don't even need to: sometimes the call is coming from inside the house), I time-travel to the era before the rise of Alan Moore, Neil Gaiman, Art Spiegelman, Marjane Satrapi, etc, and encounter publishing or academic or institutional or creative people who think comics are not a valid art form or even a medium. Despite the fact comics are flourishing in the US, already a core part of literature in Europe and Japan, accessible to a varied audience, and proving itself a strong representational medium for a variety of issues/topics/experiences. But I don't have to reiterate the statistics and official articles and journals to confirm this. It should be as mundanely acceptable a phenomenon as prose books and films in the global cultural consciousness, because it already is a part of said consciousness.(more…)
Since 2016 I've written and illustrated these letters to the new year, as a way to summarise my thoughts and feelings regarding the old year (and express my hopes and aspirations for the new). But for obvious reasons, I decided to skip it this year.(more…)
So I've moved on to the next stage of my Unofficial Residency. I'm back to doing Freelance Work. (Nov-Dec is one of my busiest seasons of the year. Of course I wouldn't miss it.)
Though I only completed like, almost 3/4 of what I set out to do during the first phase of the residency, I'm grateful for whatever progress I am able to make. Afterall, any headway during 2020 is a miracle! Luckily there's a second phase to catch up on things. So fingers crossed I can get some more in.(more…)
I will confess that I've always had the desire to be recognised by an Institution: schools, libraries, museums, universities, you know. Buildings. Bodies. I want my books to be analysed and mined formally, to bridge the gap between the public and institutions, to educate, to inspire joy in learning. I love the world. I love the platonic ideal of academia: to chase a subject wholeheartedly, to share and introduce to outsiders the joy and madness and wonder that comes from seeing something unexpected in a different way, to find interdisciplinary solidarity in fellow nerds. Though I've officially left academia to pursue a career that more aligns with my way of storytelling, of learning and teaching, I'm still a scholar at heart. I want to be a part of this network, because it is where I feel most at home in.
And yet recently I was reminded of the Reason why I left academia, and it's forced me to reconsider my desire to be Institutionally Recognised, if it's even worth it.(more…)
Reimena Yee is a graphic novelist, artist and flamingo enthusiast.
She writes and illustrates quite a few webcomics and graphic novels. When not making books, she lulls away her time with essays on craft, life and experiences in the publishing industry. Some of her thoughts of art and life are rather unstructured and will evolve over time as this blog matures, as they should be.
Currently committed to being Alexander the Great's death doula. Is a nerd for all things spooky and historical.
Melbourne / Kuala Lumpur
CAFKL, June 3 – 4
PCAF, July 29 – 30
Australian Cartoonists Association, October