Last weekend I received feedback from my editor, A, finally completing the second of a two part alpha reading stage- allowing me now the comfort to feel I've reached far along enough that I can start talking about the thing. The writing thing.
I wasn't sure how to document the Writing Stage of Alexander Comic (or my graphic novels in general). It's not as instant, fast or natural as the rest of the graphic novel making process, when it's just me reading or sketching or drawing, and I can just post a screenshot/photo accompanied with a quip. You can't really show much with writing; only the end result. Additionally, I have this superstitious belief that the period of making a story come to life should be treated as sacred, private, personal. Talking too much about the writing while you're supposed to be doing the work is an invitation for a jinx, or at least... it invites said jinx to me.(more…)
Most Alexander-the-Great-inspired fiction is arguably a fanfic of the man himself. This includes that 2000 year old tradition called the Alexander Romance, which is basically (simplistically) an isekai alternate universe history of the Macedonian hero going on wacky adventures, retold over and over again by writers and artists who admire his achievements. But what happens... when the author of the 21st century Alexander Romance is not herself a fan of Alexander?(more…)
Thoughts on the in-progress art direction for my Alexander the Great graphic novel/comic.(more…)
Reimena Yee is a graphic novelist, artist and flamingo enthusiast.
She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.
Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.
Melbourne / Kuala Lumpur
Who knows ??