How I Do Research For a Graphic Novel (tips and advice)

How does a comics creator do their research for a graphic novel? Well, nobody quite knows tbh – unlike thumbnails or scriptwriting, the research process (collecting and turning information into a story) is rarely talked about in comics. Unless you hang around academic circles, or work in a genre like science or historical, you wouldn't think about research as a concern. While not necessary, learning how to do research well is a powerful and important skill to have. I believe that when creators obtain better research skills, their storytelling benefits. It's not just about knowing where to find sources... it's about critical thinking, increased awareness of self and society (and how both impact the stories we value), transparency, and thoughtfulness of intent. (more…)
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Growing Up With Your Own Stories AKA I’m being sentimental

In the last 7 years since launching my side-hobby-then-career into storytelling, I've changed a lot. As I approach my mid-twenties, now is a good time for me to step back from the fast-paced rat race attention economy, to consider what I've learned, and how I want to move on towards a more thoughtful, more amazing thirties. (more…)
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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

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Going through an art reference book from the 15th century to select an alphabet initial to sample in my graphic novel/modern illuminated manuscript is giving me emotions :’) I’m using the book the way it was meant to 600 years later, how WILD is that!!

Malaysians should enrich our conversations about Israel & Palestine from purely theological to colonial occupation, human rights & dignity. So, we can apply the same justice & empathy in our own context in regard to orang asli, refugees, religious minorities & LGBT community.

Do you like stories about friendship, ghosts, and growing up? Then check out this juvenile graphic novel: SΓ©ance Tea Party. It follows Lora as she discovers just how bittersweet getting older really is. #OCLSReads

Link to borrow: https://iii.ocls.info/record=b2295943~S1

Mah Meri residents should not be further displaced, much less for tourism in Sepang. Stop treating indigenous people as obstacles.

Malaysians are in the middle of protesting the violence and settler colonialism by Israel against Palestine. Please bring that energy back home too. https://twitter.com/msianinsight/status/1392978368279113732

TheMalaysianInsight@msianinsight

Orang Asli Mah Meri diminta kosongkan tanah untuk projek pelancongan https://www.themalaysianinsight.com/bahasa/s/315232?utm_source=dlvr.it&utm_medium=twitter&utm_campaign=msianinsight

I just think it’s rad that comics as a medium inherently present time *as* spaceβ€”time and space not as different dimensions but as different facets of the same thing. Every page is a unit of chronology-as-geography. How can anyone not get immensely excited thinking about this?

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