Advice for First Time Editors of Graphic Novels

Advice for First-Time Editors of Graphic Novels

Graphic novels, especially ones for children, are a thing now. This is great news – it means more books, more diverse voices, and more public appreciation for the medium. Some of the people most excited for GNs are editors; many of whom are fans of comics and will be taking on comics projects for the first time. This post is for them...

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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

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Going through an art reference book from the 15th century to select an alphabet initial to sample in my graphic novel/modern illuminated manuscript is giving me emotions :’) I’m using the book the way it was meant to 600 years later, how WILD is that!!

Malaysians should enrich our conversations about Israel & Palestine from purely theological to colonial occupation, human rights & dignity. So, we can apply the same justice & empathy in our own context in regard to orang asli, refugees, religious minorities & LGBT community.

Do you like stories about friendship, ghosts, and growing up? Then check out this juvenile graphic novel: SΓ©ance Tea Party. It follows Lora as she discovers just how bittersweet getting older really is. #OCLSReads

Link to borrow: https://iii.ocls.info/record=b2295943~S1

Mah Meri residents should not be further displaced, much less for tourism in Sepang. Stop treating indigenous people as obstacles.

Malaysians are in the middle of protesting the violence and settler colonialism by Israel against Palestine. Please bring that energy back home too. https://twitter.com/msianinsight/status/1392978368279113732

TheMalaysianInsight@msianinsight

Orang Asli Mah Meri diminta kosongkan tanah untuk projek pelancongan https://www.themalaysianinsight.com/bahasa/s/315232?utm_source=dlvr.it&utm_medium=twitter&utm_campaign=msianinsight

I just think it’s rad that comics as a medium inherently present time *as* spaceβ€”time and space not as different dimensions but as different facets of the same thing. Every page is a unit of chronology-as-geography. How can anyone not get immensely excited thinking about this?

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