Applying to Rimbun Dahan as a Comics Artist/Writer

I'm excited to announce my month-long stint at Rimbun Dahan Southeast Asian Arts Residency in late 2020! I'll be their first resident comics creator (artist and writer), and I'll mostly be working on my comics during that time โ€“ I'll either be wrapping up my middle-grade graphic novel, or preparing for my Alexander the Great comic. I would love for more Southeast Asian comics creators to apply to Rimbun Dahan, so this post is going to show you my application. Please feel free to use it as a template! (more…)
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Reimena Yee talks about political action

Politically Around

For the past few months I have been thinking about my political role as an artist. It is very strange to be at the point (both maturity and career-wise) when I must assert my intention as a person who tells stories and produces images/words for the world at large. I believe words and images have meaning, therefore they have impact. But what does impact mean on my own terms? (more…)
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Relatable is Not Empathy (Thoughts on Empathy as a Writer)

One of the guiding principles of my storytelling is empathy โ€“ empathy as both the creative factor and the takeaway. It's a hot topic in publishing nowadays: everyone talks about how books are key to helping one understand or see others in this world, how one can see the other is just "a person like them". This is all very important and a goal worth pursuing, and I do see it as part of my responsibility as a writer. Yet I think I operate from a different conception of what empathy is, as a writer and reader. This is what today's post is about. (more…)
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Inspiration and Calling

"Where do you get your ideas from?" "How do you choose which book to do?" The short answer is, I don't know?? Or rather, I can't explain it. Or RATHER, I don't think the real answer will be helpful, or even make sense, to anyone else except me. (more…)
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Bahasa: Malaysian Code Switching in Comics Form

I recently published a mini-comic for Malaysia's Independence Day (or Merdeka, as we natives call it), which can be read here. Besides the standard raw emotionality that has become a trademark of mine, it was my first attempt at code-switching and bilingualism in comics โ€“ a bilingualism that is key to the understanding of the story and emotionality of Bahasa, rather than a mere translation of one language into another. (more…)
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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

Appearances

The Maker’s Club
Life as a Comics Creator: An Online Interview
June 14 2020

The Maker’s Club
Book launch
July 2020

A Weekend of Comics and Illustration
POSTPONED

Hello!I'm Sander Berg, an Swedish illustrator with a love of folklore, fantasy, & the medieval-esque.Currently available for freelance work - publishing, editorial, etc. If it's interesting, I'm game!

๐ŸŽจhttp://sanderdraws.co.uk
๐Ÿ“จsanderdraws@gmail.com

#portfolioday #illustration

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If British people understood colonial history half as well as they understand the details of Henry VIII's wives, Britain would be a different country.

Turbulent Parliament sitting triggers #MasaKita movement among youth as they push to vote in a younger generation of more courteous, respectful lawmakers https://buff.ly/3erlL5Z

Yday's was further marred by racism vs @KasthuriPatto & condescending remarks vs @SyedSaddiq.

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