Applying to Rimbun Dahan as a Comics Artist/Writer

I'm excited to announce my month-long stint at Rimbun Dahan Southeast Asian Arts Residency in late 2020! I'll be their first resident comics creator (artist and writer), and I'll mostly be working on my comics during that time – I'll either be wrapping up my middle-grade graphic novel, or preparing for my Alexander the Great comic. I would love for more Southeast Asian comics creators to apply to Rimbun Dahan, so this post is going to show you my application. Please feel free to use it as a template! (more…)
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Reimena Yee talks about political action

Politically Around

For the past few months I have been thinking about my political role as an artist. It is very strange to be at the point (both maturity and career-wise) when I must assert my intention as a person who tells stories and produces images/words for the world at large. I believe words and images have meaning, therefore they have impact. But what does impact mean on my own terms? (more…)
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Relatable is Not Empathy (Thoughts on Empathy as a Writer)

One of the guiding principles of my storytelling is empathy – empathy as both the creative factor and the takeaway. It's a hot topic in publishing nowadays: everyone talks about how books are key to helping one understand or see others in this world, how one can see the other is just "a person like them". This is all very important and a goal worth pursuing, and I do see it as part of my responsibility as a writer. Yet I think I operate from a different conception of what empathy is, as a writer and reader. This is what today's post is about. (more…)
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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

Upcoming Events

NONE FOR 2020

I finally got a copy of @reimenayee's Seance Tea Party and eventually I'll be able to actually read it.

Listen one of the reasons I advocate for lengthy schedules for artists is because publishers don't build in paid time-off for their freelancers and authors and stacked back-to-back projects can lead to injuries like the ones currently in my neck and shoulder

Comics is all fun and games until you have to study head angles and abstract them into your style -- then it's like, wth why is drawing so technical and difficult

so i was interviewed, and @buttermilkart got featured on @VulcanPost today πŸ₯² what a day. thanks to everyone who has supported and encouraged me so far - you the best πŸ₯ΊπŸ’– stay tuned for more!
https://vulcanpost.com/729895/buttermilk-art-find-malaysian-artist-directory/

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