The Iliad + Digital Island Project 2021 + A Comics Movement?

So I've moved on to the next stage of my Unofficial Residency. I'm back to doing Freelance Work. (Nov-Dec is one of my busiest seasons of the year. Of course I wouldn't miss it.)

Though I only completed like, almost 3/4 of what I set out to do during the first phase of the residency, I'm grateful for whatever progress I am able to make. Afterall, any headway during 2020 is a miracle! Luckily there's a second phase to catch up on things. So fingers crossed I can get some more in.

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Institutional Recognition

I will confess that I've always had the desire to be recognised by an Institution: schools, libraries, museums, universities, you know. Buildings. Bodies. I want my books to be analysed and mined formally, to bridge the gap between the public and institutions, to educate, to inspire joy in learning. I love the world. I love the platonic ideal of academia: to chase a subject wholeheartedly, to share and introduce to outsiders the joy and madness and wonder that comes from seeing something unexpected in a different way, to find interdisciplinary solidarity in fellow nerds. Though I've officially left academia to pursue a career that more aligns with my way of storytelling, of learning and teaching, I'm still a scholar at heart. I want to be a part of this network, because it is where I feel most at home in.

And yet recently I was reminded of the Reason why I left academia, and it's forced me to reconsider my desire to be Institutionally Recognised, if it's even worth it.

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Digital Island Project: Week 4 & 5

Double feature

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How I Art Direct A Graphic Novel: Cooking the Onion

This is the second stage following the Onion Method: An Outlining Method for Graphic Novels. You got the onion...now how are you going to present it? This post will talk you through how I craft the art direction of a graphic novel... weaving the thematic and character motivations established earlier in the outline into its final, ultimate mode of language: the visuals.

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Digital Island Artdump Week 3

The unofficial start of the residency (at home).

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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

Upcoming Events

NONE FOR 2020

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Talked a lil bout 2021 plans, reading the Iliad, a bit bout Alexander Comic, and some random things https://blog.reimenayee.com/the-iliad-digital-island-project-2021-a-comics-movement/

I think bout combating imposter syndrome and having confidence as an Asian-living-in-Asia femme creative and so far, here's what has helped: (thread)

I don't know who needs to hear this, but you're allowed to have "small" dreams. Just because all you want is a quiet life doesn't mean you're worth any less than those who dream of going into space.

A friend sent me this meme. "I thought you would like this," she said.

Yes. Yes I do.

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