"Where do you get your ideas from?" "How do you choose which book to do?" The short answer is, I don't know?? Or rather, I can't explain it. Or RATHER, I don't think the real answer will be helpful, or even make sense, to anyone else except me. (more…)

I recently published a mini-comic for Malaysia's Independence Day (or Merdeka, as we natives call it), which can be read here. Besides the standard raw emotionality that has become a trademark of mine, it was my first attempt at code-switching and bilingualism in comics – a bilingualism that is key to the understanding of the story and emotionality of Bahasa, rather than a mere translation of one language into another. (more…)

Some of you may know I write historical fiction. Some of you may also know I've been chipping away on an Alexander the Great graphic novel. (Which this concept art is for) My role as a historical graphic novelist has been stewing in the back of my mind for a while now. Actually, the stewing began when I first thought of The Carpet Merchant of Konstantiniyya, but I already know my insights from that project. Be actively thoughtful. Be self aware of how your own biases and societal context influence your storytelling. Recognise the people before and around you. Use your power to bring up voices. Understand that the work of being a responsible author lasts beyond the final page of your story. (more…)

Writing a graphic novel is hard. There are a lot of things to juggle; afterall, you're making the equivalent of both a film AND a novel! Fortunately, now there are a lot of resources, suited for different genres and needs. Back then, in the olde Wild West days, when I was a newbie, I didn't have any tips that explained how to make the kind of graphic novels I wanted to make. So I made my own, deliciously called the Onion Method. (more…)