Site Revamp + Artist sites should be more fun maybe?

So I've been lowkey revamping my website/portfolio, which had increasingly become liminal in a Not Good Way since its last major revamp in 2015-2016. Since 2021's a year of studio-dedicated work (aka no Professional Jobs) and a year of reshifting my career goals, I finally found the excuse and the time to clean up, making the site more functional and more importantly, fun to me.

More thoughts below on how I redesigned and compartmentalised my website, which may be helpful to other artists out there who are looking to do the same thing.

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Thoughts on Craft

If there was a hill I'd die on, it'd be called Craft. It's something that occupies my thoughts, more than most things. That's evident by the existence of this blog: I'm always writing and thinking about my experiences in the world (as a person, as an artist) and how they feed into my creative practice.

But I hardly ever talk about creative craft as its own thing. There are reasons why. Partly because the soundbyte diet of social media doesn't fit my style of ruminating (I don't make zingers; I go on and on and on...) and partly because if you do try to soundbyte anything that approaches advice, it'll be poorly-received even if it goes viral, because a 280 character limit makes every word sound like a rule of law. Plus the online art environment has shifted dramatically.

And I don't adhere to the popular idea of what craft should be to an Artist or Writer anyway. Not in a Too Cool way. It just so happens.

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Letter to the New Year 2021

Since 2016 I've written and illustrated these letters to the new year, as a way to summarise my thoughts and feelings regarding the old year (and express my hopes and aspirations for the new). But for obvious reasons, I decided to skip it this year.

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Creating, Making, Giving

Some thoughts on making things exist. The joy and fear of it all. A sequel to this post on Passion and Work and Adulthood.

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The Iliad + Digital Island Project 2021 + A Comics Movement?

So I've moved on to the next stage of my Unofficial Residency. I'm back to doing Freelance Work. (Nov-Dec is one of my busiest seasons of the year. Of course I wouldn't miss it.)

Though I only completed like, almost 3/4 of what I set out to do during the first phase of the residency, I'm grateful for whatever progress I am able to make. Afterall, any headway during 2020 is a miracle! Luckily there's a second phase to catch up on things. So fingers crossed I can get some more in.

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Reimena Yee is a graphic novelist, artist and flamingo enthusiast.

She creates the webcomics The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya; the latter of which is the first Malaysian graphic novel to be Eisner-nominated.

Currently writing and drawing a whole bunch of stuff. Is a nerd for all things spooky and historical.

Melbourne / Kuala Lumpur

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I got this boba tea flavoured ice cream today.... gonna try it tonight and see how it is

somewhere along the line, the call for diverse characters in publishing mutated into "don't be diverse or you'll do it wrong and the straw man browns will cancel us all" and it all stems from not having poc people in higher-up positions

After many lockdown-related delays I am finally doing my in-the-middle-of-a-rainforest arts residency!! (it’s local) Not for fun though: I have three GNs at different stages with looming deadlines πŸ˜‚πŸ˜‚

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If the academia plan doesn't work out I'm taking my material culture interests to the cookie industry.

Picture book and graphic novel illustrators!

I want to learn more about the sort of timelines you're working with to illustrate books for the US publishing industry. I put together two surveys. Would love for you to participate!

https://www.nilahmagruder.com/illustrator-survey/

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